A Miracle for Sue




Something very fundamental changed in Sue's philosophy when baby David

was born. This had less to do with rehab or her husband Mark than the

awe and fear that struck Sue when that tiny creature David crawled out

from between her legs, so bloody her pain-killer-numbed brain thought at

first glimpse the baby was dead.


Her whole perception of the world shifted off herself. For all Sue's

stories of vulnerability, of being hunted and needing protection, she

never once imagined herself so helpless as the creature she held in her

arms, a creature whose neck was too weak to hold up its own head, a

creature whose eyes looked through a fog at her and thought -- without

knowing the word -- of her as mother.


How could any other human being depend upon her, she wondered?


Sue had gone through countless who claimed they needed her and would die

without her, but here was a human being incapable of saying as much and

yet depended on Sue for everything but the air he breathed.


A man! A boy! A needy creature!


Sue was absolutely shocked. She understood only after she woke in the

hospital how big a mistake she had made, allowing this whole thing to go

a far as it had, far enough to produce a living, breathing imitation of



Because that's what Sue saw when she looked down into young David's

eyes, the spitting image of the child she remembered herself as being,

one more potentially vulnerable victims of a cruel world. How was she --

who could barely protect herself from these forces -- be expected to

guard such a creature of this, to make sure that what happened to her at

three did not happen to David?


Many women change with the birth of their first child, yet even she

could feel the stir of something spectacular going on inside herself,

something that so altered the basic pattern of her life she didn't

recognize herself, and felt that much more at a loss as to what to do.


She was in deep trouble, but no longer had the old tools to dig herself

out of this trap. Whenever she found herself this deep in shit in the

past, she fled, if not physically, then in her head, dumping her lover

or moving on to some new venue where she could start fresh. Most of the

time, she left without many resources, relying on guile and her natural

instincts to get along, giving in when her enemies grew too powerful.

She always put on a face as if what they did to her didn't matter, when

all the time, every thing stung so bad she wanted to die.


Sue could never rely on such strategies to save her baby. It was one

thing to fend for herself, quite another to let others hurt her baby.

And above all, above even the idea of protecting herself, Sue vowed to

protect David.


Sue had always been alienated from society, marked by that act which

haunted her nightmares. She felt trapped in a world which did not love

her and she could not love back, a cold world full of empty rituals and

pointless routines. She knew that somewhere deep in her unconscious, the

real anger stirred, a beast trapped inside her skull, lashing out at the

world through her, using her mind, her hands and her sexuality, and yet

was impotent against those beasts she called men who haunted and hunted

her and constantly sought to do her harm.


Yet Sue wasn't hunted so much by stalkers, but by society itself -- a

society that would not let her take her rightful place, who had marked

her in childhood, and which wanted her out of existence, and against

which she constantly struggled, bravely and nobly, if also futile.


How could she expect to protect her baby from what was inside her and

outside? For the first time in her life, she is not alone. For the first

time in her life, something comes out of her that isn't angry, isn't

seeking to destroy, but a young boy -- the first male she could ever

trust, and someone as vulnerable as she had been, needing her to protect

him. While she will not allow the world to mark her child the way the

world had marked her when she was young, she can feel the world leaning

in, feel the society seeking to destroy the boy, and her own anger

reacting, and she knows she needs to stop herself as well as the world.

She knows that she must try to blend in, straighten herself out in order

to save the boy.


Mark is no help.


He is part and parcel with her old life, just one more man she can't

trust. In fact, she half blames him for the whole thing, as if he had

sold her on marriage instead of the other way around, as if marriage and

the child had been one more manly effort to seduce and destroy her,

backfiring with the birth of the child.


So within months after my seeing her again at WPC, Sue shed Mark and his

protection, as one more ugly part of her old life. She needed to reiShe

needed to reinvent herself again, but this time to make herself over

into another person, one that looked and sounded ordinary an


Sue told several people over the years that the movie "Desperately

Seeking Susan" had been written about her. This may have been one more

of her outrageous lies, yet not so far from the truth. Her life before

the birth of the baby David did read like that scrip, as it would later

when she grew more and more desperate to find her place in the world,

after the world once more betrayed her. Only Sue was never content to

play just one role. She hogged the whole scene, playing both female

leads alternately, sometimes the vixen Madonna, sometimes the middle

class housewife played by Roseanne Arnett.


For those unaware of the movie plot, it involves a high class prostitute

who rips off her clients and wanders through the East Village. A bored

middle class house wife from New Jersey buys her coat from a village

store, then is mistaken for the street-wise prostitute con artist. This

housewife is pursued by villains, is supported by a hero who thinks she

is deluded, and then, momentarily, thinks she might be the thief, but

saves her anyway.


It must have been hard for her to shed the Madonna role and set out on

her own, for the first time in her life, the protector rather than the



She was scared, feeling worse now than she had after high school when

she first came to a campus full of strangers, where all the faces seemed

angry at her arrival. She repeated the ritual of nightmares that always

haunted her when she was forced to change, those vague images of

violence flashing inside her head again and again as if someone banged

her head against a wall.


Yet even awake the fear gripped her. She was no more prepared to deal

with the real world this time than she was during every other encounter.

She couldn't even use the excuse of alcohol. She could not pretend to be

lost in a fog. Everything seemed so stark, the faces of straights so

judgmental. She didn't know how to play the game by their rules, she

knew only how to cheat, how to seduce men and women into helping her,

but she could use few of those skills without calling attention to

herself, and to her son, David. Those were the tools of the other world,

the over-the-edge world, and to use them, to call upon them, was to

invite herself back into the shadows where dark shapes might snatch her

son away from her.


"It's a cold, hard world out there, David," she told her baby. "But

somehow we'll survive. How bad can it be?"


A twenty-five, Sue felt worn, and was surprised to not find her hair

gray and her face wrinkled each morning when she woke to face the

mirror, and dressed in clothing she had seen on friends like Holly and

Dorothy and even Nicole, the street clothing with high heels and panty

hose, and a skirt that touched her knee. She felt so uninspired, like

that old Traffic song she used to hear on FM radio when she was twelve.


If it wasn't for the anger, for the burning rage she felt inside her

chest towards all those who had hurt her and all those who now

threatened to hurt her son, she wouldn't have made it, wouldn't have

been able to cling to the mask of the straight person as well as she

did, keeping her new lifnow threatened to hurt her son, she wouldn't

have made it,


Of course, this same rage sometimes made her do stupid things -- like

the first time she went to Plato's Retreat to spite her mother, or the

time she took Stanley's books. She hated Hemingway, and Stanley, too,

for that matter.


But it wasn't rage that got her the job in New York City, a real job,

for a real magazine, not writing exposes on Washington Corruption, or

detailed tales about life in sleek world of New York City fashion, but a

job on a magazine where her technical writing skills were appreciated.

Her father helped. So did the long list of publishing credits she had

acquired doing small articles for him over the years. She said nothing

about her reports for Screw. She said nothing about her arrest or her

sentencing to rehabilitation in Pennsylvania. She just did the work,

getting up every morning, catching a ride on a train, or bus or car to

Manhattan -- not downtown, but midtown, among the stiffs.


Oh how she hated that job, writing pieces on -- of all things --

metallurgy. It was beneath her skills and she knew it. She should have

been writing short stories for the New Yorker and investigative pieces

for the Village Voice. She did keep in touch with Screw, jotting down a

review now and then for a little extra cash. But this was less about

money than creativity. She felt so trapped up top in the straight world,

she just didn't know how to relate one on one with people who talked

about football, TV sitcoms and rocks!


"I'm doing this for the boy," she constantly had to tell herself. "I

need to be invisible for him. If I work hard enough, if I stay straight

enough, THEY will leave David alone."


But only Sue knew who THEY were, or where they came from, those

outrageously ugly faces out of the fog she has seen in her dreams since

she was three, thin rails of people seeking only to do her harm. She

vowed to give them no ammunition against her, to become a one-woman

alcoholics anonymous with only one step -- to survive.


< The Treadmill of Life /a>




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